How to live through the end of the world: Read William Shakespeare’s play ‘Cymbeline’
Written in 1611, Shakespeare’s Cymbeline is a raw mess – full of feeling and as messy as life. The 18th-century man of letters, Samuel Johnson decried the play as a work of “unresisting imbecility”, a hotch-potch of incongruities.
It’s true that it’s hard to even know what kind of play Cymbeline is. The First Folio, the first collected edition of Shakespeare’s plays, presents it as the last of his tragedies. But it’s also, all at once, a history play, a pastoral, a fairytale, a pantomime and a tragicomedy.
Set in ancient Britain at the time of the birth of Christ, Cymbeline stitches together three plots. In one, Posthumus (the banished husband of Innogen, King Cymbeline’s daughter) accepts a wager with Iachimo that the sleazy Italian will not be able to seduce his wife. In the second, after 20 years, King Cymbeline’s abducted sons (and Innogen’s brothers) are restored to him. And in the third, refusing to pay tribute to the emperor, tiny Britain picks a fight with the majesty of imperial Rome.
In the age of anxiety
What makes Cymbeline such a potent play for our own age of anxiety is how Shakespeare weaves a tale about the collapse of everything known, as connections dissolve, and lays out how we may discover ourselves anew in...
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